Besides Bela Lugosi, Christopher Lee is probably the most prolific actor to ever don Count Dracula’s cape on the silver screen.
This is no easy feat, since the Prince of Darkness has been portrayed in over 200 films by some of the industry’s most respected thespians, like Gary Oldman, Klaus Kinski, and Frank Langella.
But from 1958 to 1973, Hammer Studios turned Lee into a horror icon by casting him as the main antagonist in their revival Dracula series that took the character into new and interesting directions.
This is definitely true for The Satanic Rites of Dracula, the last film in the series to feature Lee, since the story revolves around a morbid cult helping the Count carry out his evil deeds in 1970s London.
Luckily, the descendent of Dracula’s old foe Van Helsing (played by Peter Cushing for the fourth time) catches wind of these malicious machinations and teams up with a group of government agents to stop this undead fiend once and for all.
Full disclosure, I haven’t watched any of the other Hammer Dracula films starring Lee, since my horror DVD 12-pack only came bundled with this single entry.
But based on what I’ve been able to glean from online critics like James Rolfe, the series’ continuity is all over the place and doesn’t really make sense anyway.
All you need to know is that Dracula is skulking around modern day London and most of the older films’ gothic sets and atmosphere have been replaced with cheap on-location shooting.
For some reason, the filmmakers also decided to try and modernize this story by imbuing it with period appropriate funk music, which makes it sound like Shaft is going to jump out of the shadows at any moment and kick vampire ass.
The movie’s tone in general is all over the place, switching from scenes involving satanic cults and human sacrifice to dry exchanges between government agents that resemble a John le Carré spy novel.
Based on this description, you might be fooled into thinking that The Satanic Rites of Dracula is a fascinating mess of a film that keeps you hooked based on how off-the-wall some of its ideas and concepts are.
While this does happen occasionally, the movie is mostly a giant bore that barely features Lee in any meaningful way.
Dracula himself doesn’t show up until half-an-hour into the film and takes up less than 20 minutes of total screen time.
While this is apparently par for the course when it comes this series, critics like Rolfe said that previous entries at least made up for the lack of Dracula by providing some interesting performances, eerie atmosphere, and impressive gore effects.
Satanic Rites really doesn’t bring any of that to the table with its bland main characters, goofy score, and tepid use of bloodshed.
The most compelling thing about the film is Peter Cushing as Van Helsing, since he at least tries to take this bonkers material serious. Sadly, he isn’t given that much to do, since 90% of his dialogue consists of dolling out exposition.
The movie’s plot also really starts to go off the rails in its second half when Van Helsing discovers that [SPOILERS] Dracula is planning to wipe out humanity by developing a new strain of the bubonic plague. How he would be able survive in a world without human blood to feast on I have no idea.
The writers try to salvage this idiotic turn by suggesting that Dracula wants to die himself and take the world down with hum. However, that doesn’t explain why he spends so much of film’s running time turning pretty English girls into his vampire brides instead of focusing on his plan to commit mass genocide.
The last nail in this film’s coffin is its insulting finale, where [SPOILERS] Dracula meets his end by walking into a hawthorn bush.
Obviously, the people over at Hammer were running out of ways to kill Lee at the end of every movie, so I guess they came up with some bullshit about how vampires are vulnerable to the crown of thorns that Jesus wore on the cross.
So yeah, not a great way for Lee to cap off his iconic run as Dracula.
Even though the actor revealed in later interviews that he grew less and less fond of playing the character as time went on, there’s no denying that he injected some new blood into Bram Stoker’s original creation.
Not only was Lee one of the first actors to portray the Count in vivid Technicolor, but horror movie fans also got to see this classic character inflict new levels of gratuitous violence on his victims thanks to Hammer’s famously schlock-heavy approach to filmmaking.
Sadly, that initial spark of creativity is completing lacking in Satanic Rites, which ends this franchise with a dull whimper rather than a deafening bang.
But luckily, I don’t think this film hurt Lee’s legacy in the long run, since he would go on to portray a litany of other iconic movie villains until his death in June 2015 at the age of 93. And that’s on top of his decorated military service and amazing run as a heavy metal recording artist.
So yeah, I don’t think he gave this movie a second thought after he collected his paycheck … and that’s about all it deserves.
Corner store companion:
Glade scented candles (because they provide better gothic atmosphere than the movie itself)
-Release date: November 3, 1973 (West Germany), January 13, 1974 (UK), October 1978 (US)
-Box office gross: ₤223,450
-Alternative title: Dracula Is Alive and Well and Living in London
-While Hammer produced nine films in their revival Dracula series, Christopher Lee only appeared in seven of them. However, the second and ninth films in the franchise, The Brides of Dracula (1960) and The Legend of the 7 Golden Vampires (1974), still feature Peter Cushing as Van Helsing.
–Satanic Rites wasn’t the last time Lee would be cast as Dracula, since he donned the cape one last time in the 1976 French comedy Dracula and Son.
-Before he played Dracula for the first time in 1958, Lee also got the opportunity to portray Frankenstein’s monster in Hammer’s The Curse of Frankenstein from 1957. Lee’s run as the creature only lasted one movie, since the remaining six films in the franchise focused on the adventures of Baron Victor Frankenstein, played by Cushing.
-Musical highlight: “Massacre of the Saxons” by Christopher Lee (this song has nothing to do with the movie, I just wanted to remind everyone that Lee recorded a series of heavy metal albums when he was in his late-80s and early-90s).